Becca Stevens is a GRAMMY-nominated songwriter, multi-instrumentalist, and producer known for her emotionally resonant, genre-defying music. Drawing from her roots in Appalachian folk, her background in jazz, and a love of experimental indie, she creates songs that are as technically daring as they are deeply human. Though often likened to genre-bending artists like Joni Mitchell or Björk, Stevens has carved a voice and sound that are instantly recognizable—at once tender, agile, and emotionally rooted. Her work has resonated deeply with a generation of musicians navigating life beyond genre.

 

Stevens grew up in a deeply musical family in Winston-Salem, North Carolina, and was welcomed into the world to the sound of her father playing an Irish fiddle tune in the delivery room. Her mother was an operatically trained singer and actress, and her father is a composer, multi-instrumentalist, and classically trained vocalist. By age two, she was performing in the family’s band, The Tune Mammals, and spent much of her childhood on stage singing, acting, and dancing. Her musical language grew out of folk traditions, classical guitar, and jazz standards—threads she continues to weave into a voice that The Bluegrass Situation calls “conservatory-trained, but utterly unique and enthralling.”

 

Stevens has many longtime collaborators, including Jacob Collier—with whom she has co-written and sung on each other’s records—and pianist Taylor Eigsti, whose GRAMMY-winning albums Tree Falls and Plot Armor feature her vocals. She is a core member of Lighthouse Band, formed by the late David Crosby alongside Michael League and Michelle Willis, and she co-leads the international ensemble Mirrors with League, Gisela João, Louis Cato, and Justin Stanton. With League, she also co-wrote a full album for The Secret Trio, blending Middle Eastern, Balkan, and jazz traditions. Stevens has been the bandleader of Becca Stevens Band since 2005, with a longstanding core of Christopher Tordini, Jordan Perlson, Liam Robinson, and Michelle Willis. Her solo albums Regina and WONDERBLOOM have featured a wide range of guest artists, including Laura Mvula, Cory Wong, Jacob Collier, David Crosby, Alan Hampton, Ryan Scott, Roosevelt Collier, Laura Perrudin, Michael Mayo, Kaveh Rastegar, and many others. Outside of her bands and albums, Stevens has written music for legends like Antonio Sánchez (“the Bucket”), Ambrose Akinmusire (“Our Basement”), and Kneebody (“wounds Let in the Light”) and has had the rare joy of sharing the stage & studio with many of her heroes—among them Brad Mehldau, Michael McDonald, Chris Thile, Tim Heidecker, Gretchen Parlato, Louis Cole, Knower, Vince Mendoza, Brian Blade, The Metropole Orkest, Esperanza Spalding, Vijay Iyer, Lizz Wright and Travis Sullivan’s Björkestra.

 

Her forays into contemporary classical music have opened up some of her most boundary-blurring collaborations to date. She recorded and premiered Timo Andres’ Work Songs (Nonesuch Records), has performed with So Percussion and Caroline Shaw, and maintains a longstanding creative partnership with the two-time GRAMMY-winning Attacca Quartet. Their joint album, Becca Stevens | Attacca Quartet, earned a GRAMMY nomination for Best Arrangement, Instruments and Vocals, for her and Nathan Schram’s kaleidoscopic reimagining of Radiohead’s “2 + 2 = 5.” She has premiered two works at Carnegie’s Zankel Hall—first as a featured soloist in a commissioned piece by Brad Mehldau, and later as a co-writer and performer in a collaborative premiere with Gretchen Parlato and Lionel Loueke, and has also been commissioned by Melodia Women’s Choir and Princeton Playhouse Choir to create new choral works for voices.

 

Her passion for text and storytelling extends far beyond the concert hall. She wrote and recorded the original song “Go Rogue” for Michael Showalter’s film The Idea of You, premiered poetry settings by Nikola Madzirov for Limelight Poetry, and penned the foreword and commentary to The Heart’s Necessities, a posthumous collection of poems by Jane Tyson Clement. Whether she's writing for voices, strings, the silver screen, or the printed page, Stevens' work is woven with emotional fluency and a fearless devotion to where the music wants to lead her.

 

Her latest album, Maple to Paper (GroundUP, 2024), is a stripped-down meditation on motherhood, grief, and transformation. Stevens began writing it while pregnant with her first daughter, in the shadow of her mother’s terminal cancer diagnosis. Six months after her daughter was born, her mother passed away. She continued writing through that loss, began recording during her second pregnancy, and finished the final track just six days before giving birth to her second child. Produced and engineered entirely by Stevens in her home studio in Princeton, New Jersey, the album was recorded live with no overdubs and mixed by longtime collaborator Nic Hard. It captures her at her most elemental: voice, guitar, and the alchemy of presence. The record pairs spellbinding guitar work with a raw yet luminous vocal performance, offsetting its exacting minimalism with an emotional force that envelops the listener from the first track. Some have said listening to it feels almost voyeuristic—like stumbling into a deeply private moment and being invited to stay. Maple to Paper invites the listener into a much quieter room, unguarded and fully present.

 

Alongside her work in theaters and studios around the world, Becca is sought-after educator and mentor, specializing in songwriting workshops, album planning & production, ensemble instruction, and multifaceted career consultation. She’s been invited as a guest teacher and lecturer at numerous festivals and institutions around the world—from serving as returning faculty at Switzerland’s Basel Jazz Campus, to guest artist and educator for Ensemble Transience in Hong Kong, to visiting lecturer and composer of the alma mater at the University of Colorado. She also runs a private teaching studio and leads 5-week online songwriting courses that center intuition, storytelling, and artistic growth.

 

In 2024, she made her Broadway debut in Illinoise, returning to the stage in a new light—one that fused her theatrical roots with decades of artistic evolution.

 

After a twenty year stint in New York City Becca lives in Princeton, NJ where she can go on walks with her two daughters, and see real trees right outside her window.