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GRAMMY-nominated, Brooklyn-based and North Carolina-bred Becca Stevens has established an outstanding career blending an effortless vocal talent with exquisite compositions that draw inspiration from pop, jazz, indie-rock, and Appalachian folk music. Her most recent album, WONDERBLOOM (GroundUP ’20) which she produced and engineered with Nic Hard, displays Stevens’ skill of layering profound and discerning lyrics with funky and dance-ready beats in a record that Jazz Magazine described as “sophisticated and sensual pop” and The Mail on Sunday said is “Glamorous…semi-electric pop Prince might approve of.” The track “Slow Burn” from WONDERBLOOM was nominated for a GRAMMY for Best Arrangement, Instruments and Vocals in 2020.


Becca continues to stretch the boundaries of convention with songs that weave together her classical and Appalachian folk music upbringing and her love of the rich rhythms and harmonies of jazz and world music, enhanced by her skill on multiple string instruments. Along with her solo output, Becca is a highly respected collaborator who has worked with the likes of David Crosby as an active member of his Lighthouse Band, Jacob Collier, Michael League (Snarky Puppy), Brad Mehldau, Esperanza Spalding, Chris Thile, Laura Mvula, José James, Antonio Sánchez, Cory Wong, Vince Mendoza, Metropole Orkest, Timo Andres, and Attacca Quartet, among many. She defies labeling and continues to challenge the notion of what a singer-songwriter should be. Instead, she dictates to the rest of us what we should (and should not) expect from artistry such as hers.

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